These two have a green cotton slub as warp, at 15epi. Both have a thick end of mercerized cotton as an accent at irregular intervals. The weft is two strands of fine cotton. The Spanish Lace was added with three threads of the thick mercerized cotton. These were examples for the Finger Manipulated class for the Guild Summer School in January. Woven on the Louet David, and the warp tied onto a previous warp.
3 Double Weave Scarves.
These were a follow on from this idea….
which became a hanging and another piece for a wrap.
I altered the square in the middle by dividing it into small sections and adding more interest. These are in hand dyed silk and have lots of additional colours added in as weft as well. Warp is 40epi 20/2 silk, weft 20/2 silk. Love the vibrant colours, enjoyed playing around with design variations.
These are pieces to illustrate Double weave at the Grampian Textures workshop in March 2017. Woven on the Louet Octado.
A White warp for four scarves on the Megado 32.
…Warp Mulbery 20/2 silk at 25epi. from left to right
- Mulberry silk weft in an original M and O’s design on 24 shafts with a plain weave border.
- Hand dyed grey weft in an original gum leaf design
- silk noil weft woven in broken twill, original design
- silk noil weft in original gum leaf design
The last two were to convince the Morriset group at their workshop on silk, that silk noil was a good weft to use, and lovely when contrasted with shiny Mulberry silk!!
These 2 in hand-dyed 20/2 silk, also came off this loom.
Weaving Shadow Weave.
Always like this weave and enjoy exploring what is possible. This is 8-14 from Marion Powell’s book on Shadow weave.
The 3 scarves on the right are Marion’s designs and the one on the left is my design which is a combination of many elements. They are woven in 22/3 wool, very soft and machine washable. I originally dented at 15epi and wove the first one, bottom right, and then re dented to 17 epi, to obtain a squarer weave…felt the circles were a bit flat in the first one. The change of colour in the weft, using purple and taupe, rather than the green and cream, ( top right) added interest to the group.
In the one I designed, I made a rough calculation of where the centre would be and made a design for that number of picks… but by the time I wove that length I needed another few picks to get to the real centre and altered the design to get the extra length. Pleased overall, and nice to have a border on each end.
Playing with Collapse.
Warp is Passive / Active yarns in 24 end stripes with the passive yarn, a fine yarn 30/2 from Nundle Mill…. machine wash and soft, as the stripe at each selvedge. The active yarn was one from an Anne Field workshop 56/2 high twist wool, from a long time ago… hidden in the stash!!. Both sett at 25 epi.
Lower scarf woven in Nundle as plain weave and twill in the high twist in bands of 48 picks… Upper scarf had 96 picks of each in combinations of plain weave and twill. The nundle passive yarn forms the curved selvedge.
Then i wove the same warp with the Nundle only as weft, which gave lovely bubbles in a linear structure.
And then one with the high twist.
I had to work a lot harder in fulling the scarves than I had previously… probably because I sett it at 25epi rather than the 20 I had used before… the high twist yarn areas feel a lot softer though.
These are a fine linen 35/2 and a feltable wool and angora mix in stripes and check. Happy with the 4 white threads at the selvedge to emphasise the curve.
Wrap in 20/2 hand-dyed silk.
Lots of use of 2 shuttles, weaving 2 and 1, 3 and 1 and 1 and 1 to carefully graduate colours.
Nothing yet woven in March!!