Double Weave Workshop

Because I really like working with Double Weave structures, I take every opportunity to encourage others to try this weave. So I had a workshop for “lazy” weavers where the loom was all threaded for everyone to begin….

I used Louet Jane looms on stands, so that everyone could sit and weave.  My participants were pleased with their 2 days of weaving, and went home with lovely samples.

Louet Jane on stand

Double weave on loom

Experimenting with adding different coloured wefts

Using different lifts to create different patterns

The warps were in  8/2 cotton and 22/2 cotolin, with sets of 35 epi..

there is a little warp left, so I have woven off a few small pieces too.. not quite finished yet!!


Working for the next exhibition!

January- February

This is the result of working at an unreal rate for the end of Jan and then separated into each week in February!!

Now a little bit about them

These two have a green cotton slub as warp, at 15epi.  Both have a thick end of mercerized cotton as an accent at irregular intervals.  The weft is two strands of fine cotton.  The Spanish Lace was added with three threads of the thick mercerized cotton.  These were examples for the Finger Manipulated class for the Guild Summer School in January.  Woven on the Louet David, and the warp tied onto a previous warp.

3 Double Weave Scarves.

These were a follow on from this idea….

which became a hanging and another piece for a wrap.

3 scarves in double weave

I altered the square in the middle by dividing it into small sections and adding more interest.  These are in hand dyed silk and have lots of additional colours added in as weft as well.  Warp is 40epi 20/2 silk, weft 20/2 silk.  Love the vibrant colours, enjoyed playing around with design variations.

These are pieces to illustrate Double weave at the Grampian Textures workshop in March 2017.  Woven on the Louet Octado.

A White warp for four scarves on the Megado 32.

Original designs on 32 shafts

…Warp Mulbery 20/2 silk at  25epi.  from left to right

  • Mulberry silk weft in an original M and O’s design on 24 shafts with a plain weave border.
  • Hand dyed grey weft in an original gum leaf design
  • silk noil weft woven in broken twill, original design
  • silk noil weft in original gum leaf design

The last two were to convince the Morriset group  at their workshop on silk, that silk noil was a good weft to use, and lovely when contrasted with shiny Mulberry silk!!

These 2 in  hand-dyed 20/2 silk, also came off this loom.


Weaving Shadow Weave.

Always like this weave and enjoy exploring what is possible.  This is 8-14 from Marion Powell’s book on Shadow weave.

Shadow weave

The  3 scarves on the right are Marion’s designs and the one on the left is my design which is a combination of many elements.  They are woven in 22/3 wool, very soft and machine washable.  I originally dented at 15epi and wove the first one, bottom right, and then re dented to 17 epi, to obtain a squarer weave…felt the circles were a bit flat in the first one.  The change of colour in the weft, using purple and taupe, rather than the green and cream,  ( top right) added  interest to the group.

In the one I designed, I made a rough calculation of where the centre would be and made a design for that number of picks… but by the time I wove that length I needed another few picks to get to the real centre and altered the design to get the extra length.  Pleased overall, and nice to have a border on each end.

Playing with Collapse.

Collapse weave

Warp is Passive /  Active  yarns in 24 end stripes  with the passive yarn, a fine yarn 30/2 from Nundle Mill…. machine wash and soft, as the stripe at each selvedge.  The active yarn was one from an Anne Field workshop 56/2 high twist wool, from a long time ago… hidden in the stash!!.   Both sett at 25 epi.

Lower scarf woven in Nundle as plain weave and twill in the high twist in bands of 48 picks… Upper scarf had 96 picks of each in combinations of plain weave and twill. The nundle passive yarn forms the curved selvedge.

Then i wove the same warp with the Nundle only as weft, which gave lovely bubbles in a linear structure.

And then one with the high twist.

collapse weave


I had to work a lot harder in fulling the scarves than I had previously… probably because I sett it at 25epi rather than the 20 I had used before… the high twist yarn areas feel a lot softer though.

These are a fine linen 35/2 and a feltable wool and angora mix in stripes and check. Happy with the 4 white threads at the selvedge to emphasise the  curve.


Wrap in 20/2 hand-dyed silk.

Broken twill wrap

hand-dyed silk for wrap


Lots of use of 2 shuttles, weaving 2 and 1, 3 and 1 and 1 and 1 to carefully graduate colours.

Nothing yet woven in March!!

Special Award by Complex Weavers

My Series of Three Scarves went on a a USA excursion
I first sent photos,: There were 5 jurors and 3 marked each article for jurying. This allowed the jurors to enter the exhibition. I received the jurors  extensive comments with notice of acceptance of the series of 3 scarves

This was the first time Complex Weavers have held a juried exhibition as part of their Seminar program..All the pieces were exhibited  in Hellada Gallery in Long Beach during Convergence, and again in Rockville, Washington DC during Complex Weavers Seminars

two  turned taquete  scarves nd a multiselvedge double weave scarf

Winning Series of Three Scarves- photo by Marie Clews

Two of these were woven in turned taquete.  Taquete is traditionally a weft faced weave, with a few ends in the warp and a high number of picks in the weft, using 2 or more shuttles and the weave was used for sturdy table runners and rugs.  By turning the weave, the many shuttles in the weft become the warp, and the one colour of the warp becomes the weft.
 In turned taquete, most of the work is in designing and threading the warp, and weaving with a single shuttle is easy. These were woven on a 32 shaft pointed threading in Australian Superfine 2/20 wool, at 48 epi with a 60/2 silk weft, at 30ppi.  The colours gradually changed across the warp. Turned taquete works well as scarves and wraps as the floats are now in the warp and the fabric drapes well.
 The same warp was used to weave the third scarf in a thread by thread designed double weave.  Much time is spent in front of the computer, working in the weaving software before weaving begins. The warp was 48epi, and  weft 48ppi of Australian superfine wool. It is a 4 selvedge double weave scarf where one section is wider than the other-this means that you are weaving by feel to control the width of the selvedge that is underneath that you cannot see!
 Just getting accepted was great, getting a prize of registration for the 2014 Complex Weavers Seminars was momentous!!.

Expanding Boundaries Exhibition

This is an exhibition of textiles designed and woven by Marie Clews and myself.  It seems far too soon after my holiday for an exhibition but  here it is.  Hornsby Library Art Space is a community art space that doubles as a meeting room..The Library is at 44 George St and only a very short walk from Hornsby station..

We are having weaving demonstrations on Thursdays- 18th & 25th October from 1-3pm  The exhibition dates are October 13-28.

It was great to see my double weave hangings exhibited as a group and I have included 2 wraps, a few scarves and 2 turned taquete hangings.

If you are thinking of coming, ring the Library on 98476813 to check that the Art Space is open and not closed for a meeting.